ON THE FINE ARTS OF THE SLAVES
Music
ARTS cultivated (by people) in servitude are symbols of death; | |
The spell cast by servitude is beyond description. | |
Its songs are devoid of the fire of life | |
They storm the wall like a flood. | |
The countenance of a slave is as black as his heart, | 5 |
The notes of a-slave are as insipid as his nature. | |
His dead frozen heart has lost all gusto and ardour | |
And is emptied of to-day's pleasure and the expectations of future. | |
His lute betrays his secret, | |
His instruments embody the death of multitudes. | 10 |
It makes you weak and ill | |
And estranges you from the world. | |
His eyes are always full of tears | |
Keep away from his songs as far as you can. | |
Beware! it is but the song of death! | 15 |
It is nothing but nothingness in the guise of sound. | |
Feeling thirsty? This Haram is without Zam-zam.1 | |
His songs bring about the destruction of mankind. | |
It removes from the heart all ambitions and gives grief instead, | |
It pours poison in the cup of Jamshed.1 | 20 |
Hearken brother! grief is of two kinds, | |
Lighten your lamp of reason with our flame | |
One kind of grief is that consumes man; | |
The other kind of grief is that eats up all other griefs. | |
The second kind of grief that is our companion | 25 |
Frees life from all kinds of grief. | |
It involves the tumults of the east and west | |
It is like a vast ocean in which all beings are submerged. | |
When it takes its abode in the heart, | |
It turns the heart into a vast shoreless sea. | 30 |
Servitude is but ignorance of the secret of life | |
Its song is empty of the second kind of grief. | |
I don't say that its notes are wrong | |
Such bewailings become only a widow. | |
Song should be violent like a storm | 35 |
So that it may remove from the heart the clouds of grief. | |
It should be nourished on ecstasy | |
A fire dissolved in the blood of the heart. | |
It is possible to develop flame out of its wetness, | |
And to make silence a part of it. | 40 |
Do you know that in music there is a stage | |
Where speech develops "without words"? | |
A brilliant song is Nature's lamp | |
Its meaning imparts form to it. | |
I don't know whence comes the essence of meaning | 45 |
We are aware of its form which is apparent. | |
If the song is shorne of meaning, it is dead | |
Its "heat" emanates from a dead fire. | |
The secret of meaning was unveiled by Rumi | |
On, whose threshold my thought prostrates | 50 |
"Meaning is that transports you aloft | |
And makes you independent of the apparent form; | |
Meaning is not that makes you deaf and blind | |
And makes a man enamoured of mere form all the more. | |
Our musician did not enjoy the beauty of meaning; | 55 |
He attached himself to form and ignored meaning altogether. |
Painting
Similar is the case of Painting, | |
It shows the stamp neither of Abraham nor of Adhar.3 | |
"A monk entrapped in the snare of baser passion; | |
A beloved with a bird in a cage; | 60 |
A king (sitting) before a Khirqah4 -clad dervish; | |
A. highlander with a bundle of wood on shoulders; | |
A beautiful maiden on way to the temple; | |
A hermit sitting in the solitude of his cell, | |
A puny old man crushed -under the burden of old age | 65 |
In whose hands the flame (of life) has gone out; | |
A musician lost in a strange and alien song, | |
A nightingale bewailed and his string broke; | |
A youth torn by the arrows of beloved's glance; | |
A child on the neck of his aged grandfather." | 70 |
From the pep flow nothing but discourses of death, | |
Everywhere there is the story and spell of death. | |
The modern science prostrates before the evanescent, | |
It increases doubt and removes faith from the heart. | |
A man without faith has no taste for search of truth; | 75 |
He has no capacity to create. | |
His heart is ever-wavering, | |
It is difficult for him to bring forth new forms. | |
He is far removed from the self and is sick at heart, | |
He is led by the vulgar taste of the masses. | 80 |
He begs beauty from external nature, | |
He is a highwayman and tries to rob the destitute. | |
It is wrong to seek beauty outside one's self; | |
"What ought to be" is not (lying) before us. | |
When a painter gives himself up to Nature, | 85 |
He depicts Nature but loses thereby his own self. | |
Not for a moment did he manifest his real own self, | |
Nor did he ever try to break our (idols). | |
Nature wrapped in multicoloured gown | |
Can be seen on his canvas with a limping foot. | 90 |
His low burning moth lacks heat; | |
His to-day is devoid of reflections of to-morrow. | |
His sight cannot pierce through the skies, | |
Because he does not possess a fearless heart. | |
He is earth rooted, without experience of ecstasy, shy, | 95 |
Totally devoid of contact with the world of spirit. | |
His thought is hollow and he has no likings, for struggle, | |
His Israfil-like,5 call does not bring about any resurrection. | |
If man deems himself earthly, | |
The light divine dies in his heart. | 100 |
When a Moses loses hold of his own self, | |
His hand becomes dark and his staff merely a rope.6 | |
Life is nothing without the capacity for new creations, | |
Not everybody knows this secret. | |
The artist who adds to Nature | 105 |
Reveals before our eyes his inner secret | |
Although his ocean does not stand in need of anything, | |
Yet our rivulets do contribute to it. | |
He transforms the old values of life | |
His art establishes the true standard of beauty. | 110 |
His houri is more charming than the houri of paradise, | |
He who does not believe in his Lat and Manat7 is an infidel. | |
He creates a new universe | |
And gives a new life to the heart. | |
He is an ocean and lets his waves strike against. Himself | 115 |
These waves scatter pearls before us, | |
With that fullness which characterises his soul, | |
He strives to nourish the impoverished. | |
His pure nature is the norm of the right and the wrong, | |
His art reflects both the ugly and the beautiful. | 120 |
He is the very essence of Abraham and Adhar,8 | |
His hands make as well as break idols. | |
He uproots all old foundations | |
And polishes all creation. | |
In servitude body is deprived of soul; | 125 |
What good can be expected of a soulless body? | |
Such a person loses all taste for creative work | |
And forgets his own self. | |
If you make Gabriel a slave | |
He would of necessity fall down from his lofty celestial sphere. | 130 |
His creed is blind imitation and all his activity is centred in idol-making; | |
"Newness" is an infidelity in his religion. | |
New things increase his doubts and misgivings; | |
He is pleased with everything old and decayed. | |
He always looks to the past and is blind to the future, | 135 |
Like an attendant (of a tomb) he seeks his living from the grave. | |
If this is skill, then it is death of ambition, | |
His inside is dark though his outside is beautiful. | |
A wise bird is never entrapped | |
Though the net be of silken thread. | 140 |